CUL Digital Collections
Robert Yarnall Richie (1908-1984) worked as a free-lance commercial and industrial photographer for many large corporations including those in the automobile, aviation, chemical, mining, petroleum, railroad, shipping, steel and other industries, both in the U.S. and overseas. Richie's work is significant for its artistic qualities as well as documentary information.
The Robert Yarnall Richie Photograph Collection, held by the DeGolyer Library, contains corporate and industrial photographs made by Richie from 1932-1975. The digital collection is arranged by negative number (see below) and Series. A finding aid for the collection is available online.
DeGolyer Library digital collections are part of CUL Digital Collections, which contain thousands of digitized photographs, manuscripts, imprints, and works of art held by SMU's Central University Libraries special collections.
Richie often worked for Fortune, Life, Scientific American, The American Magazine, Time, National Geographic and other magazines, in addition to illustrating annual reports for Fortune 500 companies including General Motors, U.S. Steel, Gulf Oil, Phelps Dodge, and Dresser Industries among many others.
Richie further branched out into shooting oil production images in such areas as Texas, Louisiana, the Gulf of Mexico, and Saudi Arabia. Richie expressed a preference for oil work, “There’s drama in steel, but there’s more romance in oil,” he said, “oil has so many different angles to it as an industry. Oil really has a story to tell in pictures.”
An avid pilot, Richie's work also contains thousands of aerial photographs from many locales, including hundreds of estates and clubs in Palm Beach, FL, Long Island, NY, Newport, RI, and other wealthy suburbs. Other aerials include well-known buildings in New York City, as well as bridges and other landmarks.
As a pioneer in the field, he excelled in making artistic views of corporate industrial subjects in a mid-century modernist style. Richie often took unusual angle shots creating dramatic photographs of what could have been mundane subjects.
The digital collection is arranged by Negative Series number. In general, the Negative Series number for each negative or print is chronological, i.e. lower numbers were created earlier in Richie's career than higher numbers. However, the physical collection comprises 8 Series, arranged by subject and size. Below is a listing of each Series with links to items that have been digitized.
A total of 2,304 photographs of Texas industry, 1936-1970, were made available from grant funds. In FY2013 digitization of 1,238 of Richie's Texas-oil-related photographs was funded by the TexTreasures program. A follow-on grant in FY2014 supported the digitization of 1,066 non-oil related Texas photographs. The TexTreasures program is funded by the Institute of Museum and Library Services through a grant to the Texas State Library and Archives Commission. The Institute of Museum and Library Services is the primary source of federal support for the nation’s 123,000 libraries and 17,500 museums. The Institute's mission is to create strong libraries and museums that connect people to information and ideas.
Items in Central University Library Digital Collections are digitized following the SMU Central University Libraries Digitization Guidelines and Procedures. Digital collections are created under the guidelines of the SMU CONTENTdm Guide: Framework for Building a Collection, or through specialized metadata profiles tailored for the collection.
The items in this collection are protected by copyright law. No commercial reproduction or distribution of this image is permitted without the written permission of DeGolyer Library, Central University Libraries, Southern Methodist University. These images may be used for educational purposes, provided they are not altered in any way, and DeGolyer Library, Central University Libraries, Southern Methodist University is cited for each item. A high-quality version of these files may be obtained for a fee by contacting firstname.lastname@example.org.
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